GODSHOT MUSIC * OLIVE GLENNING *
GODSHOT MUSIC * OLIVE GLENNING *
ABOUT GODSHOT
godshot (noun)
A moment of perfect alignment between sound and story—where the right music feels inevitable.
GODSHOT delivers music support for film, television, and visual media—where creative instinct meets precision, and sound meets story.
Created by Olive Glenning, a major studio-trained Music Coordinator and developing Music Supervisor, GODSHOT operates across studio and independent productions, offering thoughtful, story-driven support throughout the music process. GODSHOT supports productions at all stages—from creative music direction and playlist curation to cue logistics and union contracts. GODSHOT brings structure to creativity—and creativity to structure.
Rooted in the idea of the cinematic “godshot”—a moment of synchronicity, emotional clarity, and elevated perspective—our work is guided by an ear for narrative, a respect for detail, and a belief that the right music always feels inevitable.
SERVICES
MUSIC SUPERVISIOn
MUSIC COORDINATION
SYNC DEVELOPMENT / A&R
MUSIC CLEARANCE
MUSIC CONSULTATION
CREATIVE DEVELOPMENT & MUSIC ALIGNMENT
CATALOGUE MANAGEMENT
ABOUT OLIVE
Olive Glenning is a Los Angeles and New York–based Music Coordinator and emerging Music Supervisor with a growing track record across television and streaming. At Warner Bros. Discovery, she has contributed as a Music Production Coordinator on over 30 scripted series—including but not limited to Abbott Elementary, Ted Lasso The Sex Lives of College Girls, You, Shrinking, Bad Monkey, Presumed Innocent, and more. Having label experience under her belt, Olive brings a sharp understanding of both the creative and commercial sides of music, from artist development, sync curation & strategy, to licensing.
She originally entered the legal & government field, drawn to its structure, strategy, and attention to detail—all qualities that still ground her work today. But music had always stirred something deeper in her. Over time, she realized she was most alive when thinking about how sound could shape emotion, shift a scene, or deepen a character. Taking that leap into music for film and television felt like coming home to the part of herself that had been quietly waiting—and she has never looked back.
She is especially drawn to work that challenges norms, resonates emotionally, and treats music as an essential layer of storytelling—not just an accessory to it. She’s now focused on leading music across projects that value story-first sound, collaborative innovation, and creative integrity.
SOME PROJECTS
AS MUSIC PRODUCTION COORDINATOR
